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The first fighting systems on earth probably evolved in
ancient times. This is evidenced by ancient murals and sculptures showing
fighting poses from Egypt, India and Babylon dating as far back as 5,000 years
ago. The martial arts as we know them probably did not evolve until the first
organized system of offensive and defensive skills were developed in China.
It is widely held that the first martial arts system was
developed at the fabled Shaolin Temple in the Hunan province of southern China
in the 5th Century AD. An Indian monk named Bodhidharma is credited as
the principle source for all martial arts styles, or at the very least, for any
style which traces its roots back to this Shaolin Temple.
Legend has
it that Bodhidharma traveled to Shaolin-si (small forest temple) China in
526 where he spend many years teaching Zen Buddhism. During this time he
introduced a system of physical and breathing exercises which developed into
what is now known as Kung Fu (also spelled gung fu and is now a
catch-all term for the various styles of Chinese martial arts). Bodhidharma
developed the physical exercises by watching and imitating the natural movements
of different animals (like the praying mantis, tiger, crane, horse, monkey,
snake and dragon). The breathing exercises were developed to keep the inner
organs healthy so as to improve one's Chi, the ability to reach inside
and to draw power from within the body itself.
Many believe that all forms of kung fu, and even all forms
of Asian martial arts, descended from these exercise techniques taught by
Bodhidharma. However, ancient Chinese records show that various forms of kung fu
existed long before this time. Specifically, there are historical records of
studies of various animal movements that are still associated with the Chinese
martial arts. Bodhidharma's contributions to the martial arts and to Zen
Buddhism and even of his very existence have been a matter of controversy among
historians and martial arts scholars for many years. Because China was a country filled with the spiritual
teachings of Taoism, Confucianism and Buddhism, intangible elements such as
compassion, discipline and self-control were incorporated into the teachings of
these fighting skills. As a result, during various periods of Asian history when
weapons were banned or outlawed, martial arts prospered as the only means by
which a person could defend himself or his family. But even during the most
civilized times, martial arts survived, managing to outlive their violent
origins primarily because they taught much more than fighting. Self-defense,
physical fitness and competition were not the only benefits practitioners
enjoyed, because the true martial arts stressed character development,
discipline and respect. The fact that martial arts have endured for so many
centuries has given way to the evolution of many different styles.
The
origins of karate appear to be somewhat obscure and little is known about
the early development of karate until it appeared in Okinawa in the 1600's.
Okinawa is the main island in the chain of Ryuku Islands which spans from Japan
to Taiwan. Surrounded by coral, Okinawa is approximately 6 mi (10 km) wide and
less than 70 mi (about 110 km) long. It is situated 400 nautical mi (740 km)
east of mainland China, 300 nautical miles (550 km) south of mainland
Japan and an equal distance north of Taiwan. Being at the crossroads of major
trading routes, its significance as a "rest stop" was first discovered by the
Japanese and later developed as a trade center for all of southeastern Asia.
In its earliest stages, karate was a form of closed fist
fighting, originally called Te, or "hand". Te flourished in Okinawa
because of frequently imposed bans on the possession and use of weapons by its
citizens. For this reason, Te was often trained in secret. Te continued to develop over the years, primarily in three
Okinawan cities: Shuri, Naha and Tomari. Each of these towns was a center to a
different sect of society: kings and nobles, merchants and business people, and
farmers and fishermen, respectively. For this reason, different styles of
self-defense developed within each city, based primarily on emphasis rather than
on kind, and subsequently became known as Shuri-te, Naha-te and Tomari-te.
Collectively they were called Okinawa-Te or Tode, "Chinese
hand". The Chinese character used to write Tode could also
be pronounced "kara", thus the name Te was replaced with kara te -
jutsu or 'Chinese hand art' by the Okinawan masters. This was later changed
to karate-do by Gichin Funakoshi who adopted an alternate meaning for the
Chinese character for kara, "empty". From this point on the term
karate came to mean "empty hand". The Do in karate-do means "way" or
"path", and is indicative of the discipline and philosophy of karate with moral
and spiritual connotations.
If one man could be credited with the advancement of
karate to the position it enjoys today, it would be Gichin Funakoshi. Born in
Shuri, Okinawa in 1868, he was trained from childhood by two famous masters of
that time. Each trained him in a different Okinawan martial art. He learned
Shuri-te from Yasutsune Azato and Naha-te from Yasutsune Itosu. Sometime around
the end of the 1800's, he combined elements from both styles and devised his own
system, which he called shotokan.
In
1917, at the age of 49, Funakoshi-sensei was asked to publicly demonstrate
karate for the first time on the mainland of Japan, at the Butoku-den, a
physical education exhibition sponsored by the Ministry of Education in Kyoto.
He was asked back again in 1922 by Dr. Jigoro Kano, founder of the Japanese art
of Judo, for a demonstration at the famous Kodokan Dojo. He was asked back a
third time, but this was a special performance for the Emperor of Japan and the
royal family. These and subsequent events, greatly impressed many Japanese,
especially Crown-Prince Hirohito, who was very enthusiastic about the Okinawan
art. Afterwards, Funakoshi-sensei was asked by Dr. Kano to remain in Japan and
to teach and promote his art. This sponsorship was instrumental in establishing
a base for karate in Japan. As an Okinawan "peasant art," karate would have been
scorned by the upper and middle class Japanese without the backing of the royal
family and so formidable a martial arts master.
Funakoshi was a humble man who preached and practiced an
essential humility and he was commited to teaching the true art of karate.
Irrespective of this, he was not without his detractors. His critics scorned his
insistence on hito-kata sanen (three years on one kata) and declared,
what they called "soft" karate, to be too much of a waste of time. One of Funakoshi's students, Otsuka, was reputed to be one
of the most brilliant martial arts students in Japan. Otsuka's favorite kata was
the Naihanchi, which he performed before the royalty of Japan with another
outstanding student named Oshima, who performed the Pinan kata (Heian). One day,
when Otsuka was teaching at the Shichi-Tokudo, a barracks situated in a corner
of the palace grounds, a student named Kogura, who had a san-dan degree
(3rd-degree black belt) in kendo ("way of the sword") and also a black belt in
karate, took a sword and challenged Otsuka. All the other students watched to
see what would happen. They felt that no one could face the shinken (open blade)
held by a kendo expert. Otsuka calmly watched Kogura and the moment he made a
move with his sword, Otsuka swept him off his feet. As this was unrehearsed, it
attested to the skill of Otsuka and also bore out Funakoshi's philosophy that
kata practice was more than sufficient in times of need. Whenever the name of Gichin Funakoshi is mentioned, the
parable of "A Man of Tao (Do) and a Little Man" immediately comes to mind. As it
is told, a student once asked, "What is the difference between a man of Tao and
a little man?" The sensei replies, "It is simple. When a little man receives his
first dan (degree or rank), he runs home and tells everyone that he made his
first dan. Upon receiving his second dan, he will jump for joy and crow to
everyone about his achievement. Upon receiving his third dan, he will parade
through town and climb to the rooftops to shout at the top of his voice that he
is san-dan". The sensei continues, "When a man of Tao receives his first dan, he
will bow his head in gratitude. Upon receiving his second dan, he will bow his
head and his shoulders. Upon receiving his third dan, he will bow to the waist
and quietly leave the room, walking alongside the wall so that no one will see
him or notice him". Funakoshi was a man of Tao. He placed no emphasis on
competitions, record breaking or championships. He placed emphasis on individual
self perfection. He believed in the common decency and respect that one human
being owed to another. He was the master of masters. Funakoshi-sensei's shotokan style of Karate
is perhaps the most widely taught style of karate in the world. Other popular
karate styles currently practiced include kempo, gojuryu kyokushin,
isshinryu, shitoryu, shorinji kernpo, shorinryu, uechiryu, wadoryu and washinryu. All include hardstyle kicks, punches and blocks. Some emphasize
linear movements, while others teach circular movements. In virtually every
style, kata (forms) practice and kumite (sparring) play an
important role in training.
Jujutsu
(Ju, gentle, soft, to give way; Jutsu, art, technique) is one of
the oldest forms of hand-to-hand combat in Japan. Records of Jujutsu date back
over 2000 years. It is one of the martial arts associated with the Japanese
Samurai, a high class of warriors who at one time were the rulers of Japan.
Although the origin of Jujutsu is not clear,
and no fixed date of its first appearance can be ascertained, it is firmly held
that it is a purely Japanese art, and furthermore, that it was not derived from
any of the ancient Chinese martial arts, as some scholars have proposed. What is
known is that the founding of its various schools or "ryu" date
from the 8th century to the 16th century. Because Samurai warriors donned armor
before entering the battlefield, kicks and punches had little effect. Therefore,
chokes and joint locks were the primary techniques used to attack unprotected
targets.
Ninjutsu is the art form of Japanese Ninja warriors. With a traceable history of 1000
years, the Ninja were most notable for their skills and activity during the
Japanese Civil War periods of the l3th-l6th centuries, when missions of
espionage and assassination were often carried out against samurai warlords.
Although ninjutsu does include linear and circular emptyhand techniques (often
called taijutsu, which encompasses punching, kicking and grappling), much of the
art's techniques involve weapons such as the sword, dagger, dart, weighted chain
and throwing star. Historically, ninja were masters of camouflage, concealment,
horsemanship, explosives and poisons, but such skills receive little, if any,
emphasis in modern training.
Judo ("gentle way") had its origins in the ancient Japanese art of jujutsu. Modern
judo was founded by Dr. Jigoro Kano at the Kodokan ("school to learn the way")
Judo Institute at the Eishoji Temple in 1882 as a martial sport. Kano never
viewed the martial arts as a means to display physical prowess or superiority.
He was a pacifist, who studied them to find a way to live in peace with other
human beings. This is seen in Kano's first principle of Judo, seiryoku zenyo
(maximum efficiency in mental and physical energy). One should use the energy of
one's opponent to defeat his or her aggression. Judo enjoyed much popularity as
its practitioners routinely defeated students of other martial arts. Later, it
was adopted into the curriculum of Japanese public schools. In 1964, Judo became
an Olympic sport, when the Games were held in Tokyo. Judo training emphasizes
throwing an opponent to the ground by grasping his body or uniform. Once down, a
variety of chokes and joint locks are used to effect a submission.
Aikido
was developed in the early part of the 19th century by Morihei Uyeshiba, now
known as OSensei (venerable teacher). From the time of his youth, he
studied various martial arts, eventually including sumo, kendo (Japanese
swordsmanship), spear technique, staff technique, and various styles of
jiujutsu, particularly the Yagyu and Daito styles. O-Sensei's life
saw Japan involved in some of the most violent conflicts of the 20th century,
culminating in the Pacific war. However, it was during this time that he founded
Aikido and declared it to be a way of joining the peoples of the world together
in peace. Along with incorporating parts of the older martial arts into his new
art, he emphasized evasion and redirection of an opponent's attack. In some
variations of Aikido, strikes are used to set up an opponent for a throw or
joint lock. In others, practice consists of strictly joint locks and throws. The
art is popular in Japan because police frequently learn it so they can subdue
suspects without injuring them. Some Aikido practitioners may also train with a
staff, knife or wooden sword. Contrary to the way it is portrayed in the popular
movies of film star Steven Seagal, Aikido has a reputation as a "nonviolent" martial art.
Taekwondo ("Tae" meaning foot, "Kwon" meaning fist, and "Do" meaning way) is a relatively
modern Korean martial sport. Even though the earliest records of Martial Arts
practiced in Korea date back to about 50 B.C., these forms are known as 'Taek
Kyon'. Taekwondo was created by Gen. Choi Honghi in 1955,
from a mix of Japanese karate hand techniques and Korean taek kyon foot
techniques. Taekwondo places a heavy emphasis on throwing rapid kicks and body
punches. In fact, it is reputed to have the most extensive kicking arsenals of
any martial art. In classroom training, breaking, forms, onestep sparring and
self-defense are also taught.
Jeet
Kune Do is an eclectic martial art created and polished in the 1960s and
early 1970s by Bruce Lee. Using a philosophy of "absorb what it useful," Lee
borrowed the best skills and techniques from a variety of martial arts,
including wing chun kung fu, fencing, loosing and wrestling. Jeet kune do is
renowned for its street effectiveness. It is almost never used in competition.
Classes include instruction in kicking, punching, trapping and grappling.
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